Natures Farthest Verge Or Landscapes Beyond Allegory and Rhetorical Convention? the Case of Sir Gawain and the Green Knight and Petrarchs Ascent of Mount Ventoux (Literature) (Critical Essay)

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NATURES FARTHEST VERGE OR LANDSCAPES BEYOND ALLEGORY AND RHETORICAL CONVENTION? THE CASE OF SIR GAWAIN AND THE GREEN KNIGHT AND PETRARCHS ASCENT OF MOUNT VENTOUX (LITERATURE) (CRITICAL ESSAY) File Name : natures-farthest-verge-or-landscapes-beyond-allegory-and-rhetorical-convention-the-case-of-sir-gawain-and-the-green-knight-and-petrarchs-ascent-of-mount-ventoux-literature-critical-essay.pdf
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ABSTRACT Sir Gawain and the Green Knight and Petrarchs Ascent of Mount Ventoux have both been held up as marking pivotal tiers in the improvement of naturalism in panorama descriptions. This article tries to gauge to what extent non-referentiality (each in figurative and formalistic phrases) is sustainable in representations of landscapes in those two late-medieval texts. On near inspection, the portrayal of panorama in those works indicates that proto-modernity has little purchase on their topographic verisimilitude, which functions now not a lot as a harbinger of proto-modernity but as a naturalistic signifier operative in conventional figural situations.

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