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The Politics and Aesthetics of Hunger and DisgustBy Michel Delville & Andrew Norris - Rating: 5 From 30 Reviews
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This have a look at examines how starvation narratives and performances make contributions to a reconsideration of overlooked or prohibited domain names of questioning which simplest a complete war of words with the frame’s heterogeneity and plasticity can reveal. From literary motif or psychosomatic symptom to modern gesture or existential malady, the double crux of hunger and disgust is a powerful pressure which can outline the experience of embodiment. Kafka’s fantasy of the Hunger Artist offers a matrix for the quick, while its surprising final-page revelation introduces disgust as a correlative of abstinence, aware or otherwise. Grounded in Kristeva’s idea of abjection, the figure of the fraught body lurking at the heart of the terrible ugly gathers precision all through this observe, in which it is employed in a widening series of contexts: suicide through overeating, starvation as self-performance or political resistance, the teratological versus the totalitarian, the anorexic harboring of death. In the method, writers and artists as numerous as Herman Melville, Percy Bysshe Shelley, Christina Rossetti, George Orwell, Knut Hamsun, J.M. Coetzee, Cindy Sherman, Pieter Breughel, Marina Abramovic, David Nebreda, Paul McCarthy, and others are brought into the dialogue. By searching on the one-of-a-kind acts of visceral, affective, and ideological resistance achieved by means of the ravenous body, this e book intensifies the relationship between starvation and disgust research whilst providing insight into the modalities of the darkish ugly which tell the aesthetics and politics of starvation. It can be of price to all of us interested in the way of life, politics, and subjectivity of embodiment, and scholars running inside the fields of disgust research, meals studies, literary research, cultural concept, and media research.
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